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Category Archives: Digital Audio
A wavetable oscillator—Part 2
From Part 1, we have an oscillator. But we need to broaden it to allow scaling of harmonic content based on pitch so that we have all the harmonic content we need at the low frequency end, and, as we … Continue reading
Posted in Aliasing, Digital Audio, Oscillators, Wavetable Oscillators
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A wavetable oscillator—Part 1
There are many ways to make an oscillator. Without looking for further motivation, I’ll propose a wavetable oscillator. Wavetables are a fairly obvious extension of the general playback of digital audio. Such oscillators are easy to understand, and their extreme … Continue reading
A wavetable oscillator—Introduction
Years ago, Cristoph Kemper told me how the Access Virus came to be. He had coded a filter on a DSP and wanted to test it. Of course he needed an oscillator, so he coded that…pretty soon he had a … Continue reading
Posted in Digital Audio, Oscillators, Wavetable Oscillators
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Convolution—in words
Convolution is a convoluted topic—and that’s what it means (convoluted, from Merriam-Webster : “Extremely complex and difficult to follow. Intricately folded, twisted, or coiled.”). Really, it’s more difficult to explain why you would want to use convolution than it is … Continue reading
Posted in Convolution, Digital Audio, FIR Filters, Impulse Response, Reverb
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Biquad formulas
For fixed filters, we can plug biquad coefficients into our programs. But often, we need to calculate them on the fly, to user settings or changes in sample rate. As a companion to the biquad calculator, here are the formulas … Continue reading
Posted in Biquads, Digital Audio, Filters, IIR Filters
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Sample rate conversion: down
In doubling the sample rate, we inserted zeros between existing samples, then used a lowpass filter to remove the resulting alias in the audio band. To resample at half the current rate, we use a lowpass filter to remove audio … Continue reading
Posted in Aliasing, Digital Audio, Filters, Sample Rate Conversion
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Sample rate conversion: up
Once we have a suitable set of FIR filter coefficients from our windowed sinc calculator, it’s time to apply them. Again, our recipe for doubling the sample rate: 1) Insert a zero between existing samples. (This is the upsampling step, … Continue reading
Posted in Aliasing, Convolution, Digital Audio, Filters, FIR Filters, Sample Rate Conversion
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