Author Archives: Nigel Redmon

Sample rate conversion: down

In doubling the sample rate, we inserted zeros between existing samples, then used a lowpass filter to remove the resulting alias in the audio band. To resample at half the current rate, we use a lowpass filter to remove audio … Continue reading

Posted in Aliasing, Digital Audio, Filters, Sample Rate Conversion | Leave a comment

A closer look at upsampling filters

Interpolation type:NoneZero-order holdLinearSinc 1Sinc 2Sinc 3  Show impulse response Sweep! In this demonstration, we generate a sine wave sweep from low in the audio band to near the Nyquist Frequency, which is half the sample rate. You can view it … Continue reading

Posted in Aliasing, Digital Audio, Filters, FIR Filters, Impulse Response, Sample Rate Conversion, Widgets | 1 Comment

Sample rate conversion: up

Once we have a suitable set of FIR filter coefficients from our windowed sinc calculator, it’s time to apply them. Again, our recipe for doubling the sample rate: 1) Insert a zero between existing samples. (This is the upsampling step, … Continue reading

Posted in Aliasing, Convolution, Digital Audio, Filters, FIR Filters, Sample Rate Conversion | 7 Comments

Building a windowed sinc filter

As promised, here’s our windowed sinc calculator for building a 2x oversampling filter:  Factor  Length  Rejection  Gain Notes: Use the Tab or Enter keys to effect changes (most browsers), or press Calculate. The frequency axis is in multiples of the … Continue reading

Posted in Digital Audio, Filters, FIR Filters, Impulse Response, Sample Rate Conversion, Widgets | 14 Comments

Towards practical resampling

In a previous article, we looked at sample rate conversion in the frequency domain. Let’s take a quick second look in the time domain as reinforcement of principles behind sample rate conversion, before developing a practical rate convertor. In an … Continue reading

Posted in Digital Audio, Filters, FIR Filters, Impulse Response, Sample Rate Conversion | 7 Comments

The sound of dither

Dithering is about spreading errors out, so that they aren’t related to the sampled signal. A constant background hiss is easier to ignore than tones that change depending on signal frequencies and amplitude. Here’s a fixed-frequency sine wave, truncated to … Continue reading

Posted in Digital Audio, Dither | 7 Comments

Blog birth

Sometimes I get email asking a question—a question that I think others might have. Sometimes I’d like to write some helpful notes, but maybe it doesn’t warrant a full article. Or sometimes I’d like to address a subject in pieces. … Continue reading

Posted in Uncategorized | 3 Comments

Sample rate conversion

Here we explain how sample rate conversion works. As an essential prerequisite, you must understand the principals of sampling. Even if you understand sampling already, read our explanation of the process here. The viewpoint and terms used there are mirrored … Continue reading

Posted in Digital Audio, Sample Rate Conversion | 16 Comments

Sampling in-depth

Here we lay the foundation. We’ll look at analog to digital conversion, and we’ll look at the spectrum of the resulting digital signal. We’ll use that knowledge to help understand the conversion process back to analog. Though we can build … Continue reading

Posted in Digital Audio, Sampling Theory | 2 Comments

The bilinear z transform

The bilinear transform is the most popular method of converting analog filter prototypes in the s domain to the z domain so we can implement them as digital filters. The reason we are interested in these s domain filters is … Continue reading

Posted in Digital Audio, Filters, IIR Filters | 29 Comments